Merce Cunningham, (born April 16, 1919, U.S.—died July 26, 2009, New York), American and who developed new forms of abstract dance movement.Cunningham began to study dance at 12 years of age. After he attended the Cornish School of Fine and Applied Arts in Seattle, Washington, for two years. He subsequently studied at (1938) with dancer and choreographer and at (1939), where he was invited by to join her group. U he diva presets torrent 2017. As a soloist for her company, he created many important roles.Encouraged by Graham, Cunningham began to choreograph in 1943. Among his early works were Root of an Unfocus (1944) and Mysterious Adventure (1945). Increasingly involved in a relationship with the composer, Cunningham left Graham’s company in 1945 and began to work professionally with Cage as well. They on annual recitals in New York City and on a number of works such as The Seasons (1947) and Inlets (1978).

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In 1952 Cunningham formed his own dance company. Like Cage, Cunningham was intrigued by the potential of random phenomena as determinants of structure. Inspired also by the pursuit of pure movement as devoid as possible of emotional, Cunningham developed “ choreography by chance,” a technique in which selected isolated movements are assigned sequence by such random methods as tossing a coin.

The sequential arrangement of the component dances in Sixteen Dances for Soloist and Company of Three (1951) was thus determined, and in Suite by Chance (1952) the movement patterns themselves were so constructed. Suite by Chance was also the first performed to an electronic score, which was commissioned from American experimental composer Christian Wolff. Symphonie pour un homme seul (1952; later called Collage) was performed to and Pierre Henry’s of the same name and was the first performance in the United States of, or music constructed from tape-recorded environmental sounds. Get unlimited access to all of Britannica’s trusted content.Cunningham’s abstract dances vary greatly in mood but are frequently characterized by abrupt changes and contrasts in movement.

Many of his works have been associated with, and motifs. In 1974 Cunningham abandoned his company’s repertory, which had been built over a 20-year period, for what he called “Events,” excerpts from old or new dances, sometimes two or more simultaneously.

Choreography created expressly for videotape, which included Blue Studio: Five Segments (1976), was still another. He also began working with film and created Locale (1979). Later dances included Duets (1980), Fielding Sixes (1980), Channels/Inserts (1981), and Quartets (1983). When arthritis seriously began to disrupt his dancing in the early 1990s, Cunningham turned to a special animated, DanceForms, to explore new choreographic possibilities.

Although he left the performance stage soon after Cage died in 1992, he continued to lead his dance company until shortly before his own death. In 2005 he received the Japan Art Association’s prize for theatre/film. To mark Cunningham’s 90th birthday, the Brooklyn Academy of Music premiered his new and last work, Nearly Ninety, in April 2009. This article was most recently revised and updated by, Assistant Editor.

While most of us skim along the surface waters of life, superficially navigating our efforts here and there, we all tend to have a deep craving to plunge into the depth of the ocean of life and experience its true fluidity, its true mysticism. Dance in many ways is the ultimate route to the truth of who we are beyond our names, beliefs, titles, achievements, memories, and identities.Dance, in many ways, is the ultimate surrender.If you would like to explore spiritual dancing, if you would like to open the door to experiential ecstasy and pure presence, keep reading. Spiritual Dancing: 5 to ExploreI have never been much of a dancer.

In fact, one of my earliest memories was of me crossing my arms and angrily refusing to dance the “Chicken Dance” because I thought it looked stupid (I was 5). But although I wasn’t born with tap-dancing feet, I have experienced the whirlwind bliss of dancing wildly and freely before.Whether you are a graceful swan or an awkward elephant like me, spiritual dancing has something very valuable to offer. The Mystical Dervish DanceAlso known as “Sufi whirling,” dervish dancing is a form of moving meditation channeled into a spinning dance. Tracing its roots back to Sufism; a mystical branch of Islam, and later influenced by Turkish culture, dervish dancing pays homage to the mysterious spinning and cyclical movements of existence.

As we know, all of life follows a circular pattern; our blood, menstrual cycles, seasonal cycles, and planetary cycles. By aligning with the natural pattern inherent in existence, dervish dances also merge with the divine, often entering altered states of consciousness characterized by bliss and pure being. 5Rhythms DanceCreated by dancer, musician and author Gabrielle Roth in the 1970’s, 5Rhythms is a fusion of gestalt therapy, transpersonal psychology, shamanism and eastern philosophy. The five rhythms included in this kind of dance include “flowing,” “staccato,” “chaos,” “lyrical” and “stillness.” When combined, these five elements form a “Wave” which can be clearly seen in the movements expressed in this kind of free-form dancing.

Roth described the 5Rhythms Dance as a journey of the soul to freedom through the releasing of the heart, mind and body. Folk Circle DanceCircle dancing is perhaps one of the most primitive forms of spiritual dancing included in this list. Many cultures have some form of circle dance from the Native American Indians to the Grecians. As its names suggests, circle dancing is undertaken in a circle of people (whether open or closed) to rhythmic beats or folk tunes.

Such a type of dancing fosters a deeper sense of interpersonal connection with others and a heightened state of consciousness. Circle dancing is sometimes structured and often free-form. Middle Eastern Belly Dance“Goddess” is the very first word that comes to mind for most of us when we picture belly dancing. With its undulations, shimmies and sinuous movements, this form of dance brings you directly in touch with the power of feminine energy. Many women report embracing their sexuality and accepting their bodies more after belly dancing. 21 st Century Trance DanceWhen we think of trance dancing we think of rave parties and LSD, but trance dancing is much older than it looks. Having its roots in shamanistic tribal healing, trance dancing is always performed to the “trance like” beat of a drum (or in modern times, a DJ).

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By dancing free and unbridled, those who trance dance connect with the primal energy of life and often reach “spiritual” states of being characterized by inner freedom and expansiveness.By allowing our minds to stay fully centered in the present moment; in the rhythm of the drum, in the thrust of the hip, in the catch of the breath, we shed away every thing we think we are just for a few moments. This opens up a doorway to fully experience what is beyond thought and form; a path to merge with our. Walk the path less traveledOur names are Aletheia Luna and Mateo Sol and we’re who are currently living in Perth, Western Australia.Our mission is to help those experiencing the, process, or embrace their inner and walk the path less traveled. We are deeply drawn to helping those who are become empowered, healed, and inspired to follow their soul’s purpose through the practice of.Our goal is to provide a grounded and balanced perspective of that doesn’t bypass the raw, real, and messy aspects of spiritual growth. We strive towards integration, balance, wholeness, and embracing both the sacred and wild aspects of being human.

Book author: Kenneth Laws

Brief introduction:

In this second edition, author Kenneth Laws - a physicist with years of professional dance training - teams up with veteran dance instructor Arleen Sugano to provide new step-by-step experiments for dancers. What You See sections describe the way..

more details below

Details of Physics and the Art of Dance: Understanding Movement

Some brief overview of this book

In this second edition, author Kenneth Laws - a physicist with years of professional dance training - teams up with veteran dance instructor Arleen Sugano to provide new step-by-step experiments for dancers. What You See sections describe the way physical principles form the framework within which some movements exist. The complementary What you Do sections allow dancers to experience how those physical analyses can offer them a more efficient means of learning how to carry out those movements. Within the framework of easy-to-understand physical principles, the book shows how movements are, first, artistic expressions, and, second, movements of the body. Dancers and dance instructors will find in this book an efficient means of improving technical proficiency and growing professional and aesthetic development. For physics and science teachers, the book provides a new and compelling way to draw people into the world of science And observers and fans of dance will marvel over the beautiful time-stop photography by renowned dance photographers Martha Swope and Gene Schiavone.

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A few words about book author

Kenneth Laws is Professor Emeritus of Physics at Dickinson College. He has been active in the Central Pennsylvania Youth Ballet and has instructed Dickinson students in ballet throughout the 1980s and 1990s. He is the author of two books about physics and dance and is the leading expert on the subject.

s. Within the framework of easy-to-understand physical principles, the book shows how movements are, first, artistic expressions, and, second, movements of the body. Dancers and dance instructors will find in this book an efficient means of improving technical proficiency and growing professional and aesthetic development. For physics and science teachers, the book provides a new and compelling way to draw people into the world of science And observers and fans of dance will marvel over the beautiful time-stop photography by renowned dance photographers Martha Swope and Gene Schiavone.